Shirley Jackson
is best known for writing “The Lottery,” a short story published in The New
Yorker in 1948. It would become one of the century's best-known short stories, while its author otherwise slipped into relative literary obscurity.
Ruth Franklin’s A Rather Haunted Life is a salutary corrective to her legacy, returning her to
the canon of critically and commercially successful mid-century writers. She’s
admired for her gothic, banal horror—Stephen King counts among her admirers—and
forgotten for her best-selling humorous memoirs of parenting, which prefigured
the likes of Erma Bombeck. Her dual career in horror and housekeeping
contributed to her decline; she resisted easy pigeonholing.
I had only read “The
Lottery,” and that back in high school. I’ve ordered her Modern Library
collection from my local library to read what I missed. My own writing in smut
and parenting leads me to admire her duality. Reading her life is inspiring and
devastating, as she balances literary society with a home life of four children
and a self-centered husband and the pressures of a domineering mother, along
with depression, poor health and alcoholism.
If you haven’t
read “The Lottery,” you can start by hearing her read it for Folkways in 1960,
along with her story “Daemon Lover.” She was agoraphobic by this time, so her
son made the recording at home.
Listen closely
and you can hear the ice popping in her bourbon.
Read the full
text of “The Lottery.”
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